Weston Rachael Herman (2012), oil on canvas, 800 mm x 700 mm
Please welcome my latest piece that I have been beavering away at for these past few weeks. Confined to my little bedroom, amidst the fumes of turpentine and frustration, I am happy to say that I have finally finished this study of Cat’s fabulous horse, Unique. It does appear to be devoid of a rider (soz Cat), as I wanted to portray the beautiful creature trotting about her meadow freely, as nature intended, or something like that. (Basically, I acted out of cowardice, as I was too scared to paint not only a horse, but a person atop the horse, as painting a horsey alone is a mighty challenge in itself!)
As far as the technical aspects of the piece are concerned, I was going for a more impressionistic approach – you know, all Monet and such. A prime example of this is demonstrated by the trees in the left of the scene, which accounts for there being less focus on form and more on colour and the interplay of light. This is a style I am thus far unfamiliar with in my own practise, hence why it probably looks terrible, but hey, I’ll put that one down to experience I guess… As far as the horse is concerned, I tackled that in my usual ‘blend the colours like there’s no tomorow’ approach – a failsafe when faced with one of those difficult equine shapes.
Anyway, I hope you enjoy it.